★★★★★ “Meetings earns its status as one of the best plays to see in 2023″ LondonTheatre1

★★★★ “An undeniable gift” WhatsOnStage

★★★★ “Joyful and thought-provoking” The Stage

★★★★ Meetings is still a knockout… a totally engaging production” The Arts Desk

★★★★ “Riotously funny and a feast for the senses… this engaging revival remains as much of a must-watch as it did forty years ago” Broadway World

★★★★ “This is sunshine and moonlight, rum and ritual, and a critique of colonial legacy all wrapped up in one big-hearted and ultimately explosive package” Daily Express

“Nimble, sparky humour and the charming cast capture Matura’s subtly satirical inflections” The Guardian

“This is a first-rate revival… a must-see” FringeReview

Dis country still must have people who know how ter eat an cook good food

Suited, booted, and stuffed with American burgers and fries, Hugh walks out of a meeting and buys a mango on the street. To the bemusement of his high-fl ying wife Jean, Hugh becomes obsessed with the foods of his Trinidadian childhood and hires a cook, Elsa, to indulge his nostalgic passion. Mustapha Matura’s razor-sharp comedy is about identity, belonging and the cost of progress.

Martina Laird plays Jean. Martina is a familiar face from TV shows including Casualty and Dreamland, alongside notable theatre credits for the RSC, Shakespeare’s Globe and Donmar Warehouse. She is joined by fellow RSC star Kevin N Golding as Hugh and Bethan Mary-James (Trouble in Butetown) as Elsa.

Following his performance in 2019’s Blood Knot and his OT playwriting debut Prodigal for Inside/Outside in 2021, Kalungi Ssebandeke returns to the OT as the winner of the prestigious 2023 JMK Award with Meetings.

The OT follows Mustapha Matura’s Play Mas in 2015 with the first major UK revival of Meetings: an atmospheric, entertaining and poignant play set to capture the sights, sounds and smells of the Caribbean.

A pioneering black playwright who opened the door for his successors” Michael Billington, The Guardian on Mustapha Matura

As nimble as it is comic” New York Times on Meetings

Meetings promotional image by Rebecca Need-Menear


Meetings production images by Marc Brenner

Show Info

Approx. 2 hours 15 minutes, including an interval


This production contains strong language. This production
explores themes of race and identity. There are references to illness and

Herbal cigarettes are smoked on stage and there may be haze. Food substances will be cooked, prepared and eaten on stage including fish, tomatoes and  citrus fruits. Please contact the Box Office if you have any queries regarding allergens.

Mon – Sat 7.30pm (Wed 18 Oct at 7pm)
Thu & Sat 2.30pm (from Thu 19 Oct) 

Members’ and Patrons’ Evening
Wed 1 Nov
Booking is open exclusively to all our Members and Patrons. Membership starts at £60pa and supports the OT to create our ambitious programme of artistic and community work. These evenings are a chance to mingle with fellow Members and Patrons, meet the OT staff, and hear from the cast and creative team of the production.

Post-show discussion led by the OT
Thursday matinees
Admission is free with your ticket to the performance.

Audio Described performance
Mon 30 Oct 7.30pm

Captioned performance
Thu 2 Nov 7.30pm

Relaxed & Distanced performance
Tue 7 Nov 7.30pm

To book accessible seats, and for audio described and captioned, please call the box office on 020 8940 3633 (Mon-Sat, 10am-6pm) or email If you’re on our Access List, you can log in and book online.

No booking fees. Prices increase based on demand. Book early to secure your seats at the best prices.

Under 30s £15 tickets on all seats for all performances – subject to availability.

£15 access tickets – find out more

£15 tickets available for members of theatre unions and guilds

OT On Screen

The play will also be available to watch online from home via OT On Screen. 
Available to stream on demand at a time that suits you anytime between 7.30pm BST on 14 November 2023 and 11.59pm BST on 17 November. BOOK HERE 


Kevin N Golding in a blue shirt

Kevin N Golding

Martina Laird in a pink shirt

Martina Laird

Bethan Mary-James in a white shirt

Bethan Mary-James


Director Kalungi Ssebandeke

Designer Olivia Jamieson

Lighting Designer Ali Hunter

Sound Designer Jose Puello

Costume Supervisor Naomi Wright

Movement Director Diane Alison-Mitchell

Voice and Accent Coach Aundrea Fudge

Assistant Director Namoo Chae Lee

Cultural Consultant Jim Findley

Casting Coordinator Sarah Murray

Deputy Stage Manager Rachel Harris

Rehearsal Assistant Stage Manager Rhea Jacques

Show Assistant Stage Manager Katy Ross