★★★★ “Moving portrayal of sisterly love…I’d defy anyone to remain unmoved” The Guardian
★★★★ “Constantly surprises…Absorbing” Observer
★★★★ “Sonali Bhattacharyya has struck gold with this incredibly important play.” Theatre Weekly
★★★★ “This timely and thoughtful new play from Sonali Bhattacharyya…compellingly shows that the stakes can be high when people – especially women – from a diaspora community raise their voices.” WhatsOnStage
★★★★ “Confidently drawn two-hander that probes injustices, both domestic and colossal” The Stage
★★★★ “Utterly believable and engaging” The Reviews Hub
★★★★ “Safiyya Ingar and Anoushka Chadha beautifully portray the sisters with such depth and humour, pushing each other’s buttons with rage and burning sisterly love…Energetic and gripping.” North West End
Seventeen-year-old Asha is an empathetic rebel, inspired by historical revolutionaries and iconoclasts Sylvia Pankhurst and B R Ambedkar. She’s unafraid of pointing out the hypocrisy around her but less sure how to actually dismantle it.
Meanwhile, her younger sister, Bettina, wide-eyed and naïve, is just trying to get through the school day without getting her pocket money nicked. When Bettina turns to her for help, Asha starts to ask what standing up for her political beliefs really looks like. Between essays, homework and bus journeys home the two sisters meet outside the school gates each afternoon, smarting at the injustice of the world around them and wondering how they can make it better.
Bouncing with wit, Sonali Bhattacharyya’s upbeat new play is a coming-of-age story about the unfairness of growing up in a world where you don’t make the rules. A blazing account of inner city British-Asian teenage life, this exhilarating world premiere asks what the cost of speaking up really is. Originally presented as a short play as part of the OT’s Inside/Outside livestreams in 2021.
Sonali Bhattacharyya was 2018 Channel 4 writer in residence at the Orange Tree, where she wrote Chasing Hares, winning the Sonia Friedman Production Award and Theatre Uncut Political Playwriting Award. Her credits include Megaball (National Theatre Learning), Slummers (Cardboard Citizens/ Bunker Theatre), 2066 (Almeida Theatre), The Invisible Boy (Kiln Theatre) and White Open Spaces (Pentabus Theatre – South Bank Show award-nominated).
Directed by Nimmo Ismail, whose work includes Glee & Me by Stuart Slade and The Christmas Star by Russell T Davies (both Royal Exchange Manchester), Fragments by Cordelia Lynn and My England by Somalia Seaton (both at Young Vic), and SNAP by Danusia Samal (The Old Vic).
“In Bhattacharyya’s entertaining play, two teenage sisters negotiate the battlefield of school while learning about the political battlefields of the past.” The Stage on Two Billion Beats as part of Inside/Outside
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